Photos from Flipside are up. I’ve got commentary in the notes on a lot of these photos. I would have taken more, but Flipside instituted very restrictive rules on photos intended for the web—and although I consider the rules unenforceable and overreaching and kind of resent them, I understand the reasoning behind them.
Many of my Flipside observations from 2005 apply to my experience this year as well. But my experience at this year’s Burning Flipside was somewhat different from last year’s. More advance prep, less on-site hassle. This year as in past years, Circle of Fire was my theme camp, and I think everyone who was part of last year’s COF wanted to make this year’s camp a better one, and so we had our shit together a little better. I took responsibility for organizing a shade structure and PA for a DJ to use (luckily, Clint, a friend of the camp, volunteered the use of his DJ rig, and sat in on Friday night to play music for us; Schon played music Saturday). I put together spin-out buckets and soaking tanks for the fuel depot, and made a dozen sets of practice poi for lessons that never quite materialized (in the end, only four pair of those practice poi got used, and somebody else brought even more)—if we’re serious about holding poi lessons, we need to schedule a time and get it on the calendar of events. And have a clock somewhere. And although COF did have functional, acceptable infrastructure for a change, our camp was still put to shame by so many others that had fantastic installations, showing a level of creativity and industry that we didn’t come close to matching. Of course, we had the firedancing, but that was our only draw. Other camps hosted firedancers plus this or that, such as Spin Camp (which always has incredible infrastructure, and had Mark’s Bible lessons and Greg’s spinning jenny) or Groovepharm (which has the best firespinners, even if they don’t come to Flipside to spin, as well as the best DJs, and a giant trampoline-lounge). What can I say? We’re a bunch of slackers.
Circle of Fire did have a much better location than it did last year, thank you site committee. I would have preferred a bigger space for our fire-circle, but since we didn’t really push the boundaries of the one we had, I can’t complain. We had a monumental fire circle that could easily accommodate six people in 2003; this year’s would would be a little cramped with four, but an improvement over 2005, when the fire circle would barely accommodate three, was on a slope, was not obvious, and also happened to be used as an alleyway to cut between parallel roads. On Thursday, I was too whipped after getting the shade structures set up to burn even once, but I had many good light-ups and even some great ones on each of the remaining nights—a few that pushed me to a different level. Firedancing can be considered a form of ecstatic motion, and in its original usage, “ecstasy” referred to a form of religious possession that is something to fear. I’m neither religious nor spiritual, but a really good light-up is one of the few occasions when I feel what I guess must be something like ecstasy in its original sense. Part of this is good, loud music, part of it is energy from the crowd, and part of it is the importance that all the participants invest in the moment. And I only have a few burns to show for it.
The new location, Flat Creek, has pros and cons compared to RecPlan. The fact that it is bigger, and therefore Pyropolis is more spread out, is both a pro and a con in itself: Flipside was definitely outgrowing RecPlan, but things are now sufficiently spread-out that it can take a lot of walking to get between two theme camps. I estimate that I walked five-plus miles a day. !Bob told me that Flat Creek has 600 acres we never even touched. I’m guessing we used 100-200 acres, so that’s a lot of potential for growth, which will bring its own set of pros and cons if it happens.
The fact that Flat Creek is laid out around a roughly horseshoe-shaped road, with “center camp” on a plateau in the middle of it and radial paths cutting across at random, means that it’s hard to get a clear sense of where camps are in relation to each other. Contrast this with RecPlan, which basically has one long road with a couple minor branches. A bicycle will be necessary equipment at future Flipsides; some kind of signage showing which camps are where would be especially helpful (an interesting wayfinding project for Gwen’s office, perhaps). One improvement in layout that we saw this year was theme camps zoned by noise level—that said, I was still camping in the loudest zone, but the fact that we were more spread out seemed to lower the intensity a bit. One curious fact about the Flat Creek site plan is that the plateau feels smaller than the field at RecPlan. A little more ground-clearing (if possible or desirable) to remove some of the trees that break up the plateau’s space would fix that. The terrain at Flat Creek is much rougher than at RecPlan, both at a large and small scale. The field at RecPlan is practically like a city park—smooth, with nice grass. The plateau at Flat Creek is much rougher, with giant divots where trees have been uprooted, prickly pear here and there, etc. And where RecPlan has a gradual hill, Flat Creek has cliffs. Flat Creek has a much more inviting cold-water stream flowing through it, the best feature of the property. It is unlike the creek at RecPlan in that it is removed from everything else—you need to go through a cave and down a bit of a hill to get there. At RecPlan, the creek is right next to the field, so you can be in the water and still semi-connected to the main action. But many people, myself included, spent a lot of time down at the stream, and with the cliff overshadowing it, it was by far the coolest place to be on days that climbed to 100°F.
The theme camps and installations blew me away, as much as ever. Somebody built a hot-tub on the bank of the stream, for cryin’ out loud. This fits right in with what I called the “extravagant gesture” a year ago. The effigy, a chalice, was built by a Houston crew (that wound up getting into a fight with the Chupacabra Policia, who were otherwise suspiciously well-behaved). The effigy was smaller than the past couple of years and relied more on propane than wood for its fuel, so there was almost nothing left the next morning (in contrast to last year, when there was still a huge pile of burning wreckage). The firedancers had a typical procession, although it was disorganized enough that many of us who were standing right there almost missed it. After the big burn, firedancers formed a couple of fire-circles next to the remnants of the effigy and burned for hours. I had some killer light-ups.
It’s hard for me to condense the Flipside experience down into a few well-organized paragraphs, and I’ve put off hitting the “publish” button on this post for a few days as I try to bring some order to it. Then again, the motto at Flipside is FUCK SHIT UP!, so trying to bring order to one’s reflections on it is perhaps missing the point.