I could have easily missed MirrorMask if I hadn’t been trolling through the Chron’s review section, and I’m glad I didn’t. I only know Neil Gaiman’s work by reputation, which is very strong, so when I did notice this, I was eager to check it out.
Despite starting off at a circus, the movie’s opening is surprisingly drab. It quickly settles down into the visually imaginative dreamscape I was vaguely expecting–though I’d have no way to really expect what I did see, it being altogether fantastical. At its core, the movie turns out to be a fairly conventional coming-of-age story. But it’s the visuals that make it very much worth seeing.