The importance of the definite article

If you are in Austin and want to order a pizza from The Parlor (which you should–they’re quite good), and you don’t know their number by heart, you may have occasion to look in the alphabetical listings of the SWB yellow pages. If so, do not look under the Ps, because it ain’t alphabetized there. Look under the Ts.

Is it any wonder SWB has such a rotten reputation?

Pop the stack

Some programming languages have a concept called a “stack,” which is sort of like a stack of trays in a cafeteria. Each “tray” represents a value; you can “push” values onto the stack or “pop” them off. This is handy for a number of reasons, but the programmer has to keep careful track of what’s at the top of the stack–that is, how many times he’s pushed and popped. Push too much stuff on, and you’ve got a problem, because the computer only sets aside a certain amount of space for the stack.

A few recent items leave me feeling as if we’ve been pushing the stack on reality too much and risk overloading it.

  • The Onion reports on an “alternate reality TV show,” a brilliant idea that, as usual, captures something going on in the zeitgeist.
  • A hilarious review of non-existent games in Wired mentions Maximum Gamer:

    In this role-playing game, you are Todd Kellman, a world-class cyberathlete from the US. (Japanese and European versions are pending.) Gamers experience all the thrills of sitting in front of a computer screen as Kellman sits in front of his computer screen controlling the destiny of a fully rendered, computer-generated nerd sitting in front of a computer screen. This one was really popular, attracting crowds of attendees waiting for a chance to play. Or to watch somebody play. Or to watch somebody watch somebody play.

  • David Cronenberg played a character out of a David Cronenberg movie on Alias. David Cronenberg is the master of pushing and popping the reality stack so many times you get dizzy (cf Videodrome, Existenz).
  • OK. So that’s all in fun. Then this morning, via an article linked in BoingBoing, I learned about There. There is a massively multiplayer online roleplaying game (MMORPG). This is not like most such games, like Everquest. Rather than going around fighting and accumulating treasure, in There, you spend real money to acquire fake money, so that you can go fake shopping. As the article puts it, “Why go There when it looks just like here?”

In short, I think we collectively may need to get out more [he wrote, while sitting at his computer]

Size deflation

I bought a jacket yesterday.

In itself, that is hardly worthy of comment. But in the process of trying on jackets–and I tried on quite a few–I learned something that strikes me as strange. I am “small.” In fact, I am 5’9″ and about 155 lb, which is the average height for an American man, and a healthy weight for my height. One might think this would make me “medium,” and in the past, that was the size I would grab first. But yesterday, the only jackets that fit me were smalls. I tried on a few mediums that might as well have been tents.

Sizes go way up–all the places I looked had XXL jackets–but what about guys who really are small? There were no sizes smaller than “small.” There was no short-men’s section tucked away in the corner of Dillards (though there was a big-men’s section there). What do they do? Shop in the boys’ department, the way Prince does?

I think it’s widely known that women’s sizes have undergone a radical deflation over the years. I was vintage-shopping with my sister once, and remember her trying on a 30s-era dress that was size 14. Going by modern sizing, she’d wear a 4. It seems that, as Americans get bigger, something similar is happening with men’s clothing.

Advertising for advertising

Yesterday, I heard an ad on the radio encouraging the listener to use the Brand X yellow pages (as opposed to all those other yellow pages out there). These ads are not uncommon, but this was the first time I really gave them any thought.

What’s happening is really strange, if you think about it. The yellow pages is basically a book of advertisements; the publisher sells ad space to local businesses and gives away the book. In order for those ads to have any value (and hence, generate repeat business for the publisher), people need to look at them. How do you get people to look at them? Advertise the ads, of course. There’s something sort of circular at work here. The radio ad says to me, in so many words “this is an ad that we bought in order to get you to look at ads that we sold, so that we can continue to get good ad rates for the ads that we’ll sell in the future.”

I realize I am oversimplifying a bit, and that there are other ways to look at this, but I find this angle most interesting.

Empirical political formulations

A couple recent threads on Metafilter have brought home a couple of basic realizations for me.

One, on cycling: many people have no problem with bigotry when its object is cyclists.

Another, on patriotism: Conservatives are quick to impugn the patriotism of progressives. There are actually two forms of patriotism. There are those who love their country in spite of its faults. These people are progressives. And there are those who love their country because of its faults. These people are conservatives.

Patterns in randomness

Most days that I’m at my desk, I listen to music through iTunes for most of the day. For some time, I’ve been listening to one giant smart playlist that has all the tracks I haven’t listened to yet–which is currently at about five days-worth of music–played in shuffle mode.

Now, I’ve noticed in the past that occasionally this produces a long run of especially good music, or a run of not-so-great music. This kind of pattern is to be expected.

Today, it’s getting weird, though. It played three Banco de Gaia songs in a row (I have six tracks by them, out of a total track count of 6300). And two different renditions of Perfidia a few minutes apart.

In a sufficiently large set of randomizations (I’ve listened to thousands of tracks in iTunes), spurious patterns will emerge. Some people are led to believe this means that aliens, giant space fairies, or other metaphysical forces are guiding their lives, or their copy of iTunes, or whatever. I am not one of these people, but it’s interesting to see it in action.

Spider

This spider has been hanging out at Gwen’s for the past couple of nights. It’s pretty big–about three inches long. It spins a very large orb that it dismantles every morning sometime between 7:30 and 8:30. No luck identifying it so far.

A tidbit for Movable Type users

If you’ve ever installed Movable Type, you may have wondered “Who is Melody Nelson, and why am I logging in as her?”. Either that, or you’re hipper than me and caught the reference immediately.

Now I know where it comes from:

Even so, Histoire De Melody Nelson sounds like no other record: when it was released, in 1971, it must have been right off the map. It’s a short album – 28 minutes – originally designed as a soundtrack to a teleplay: a dark story about a man’s obsession for a young girl, who becomes his lover, then dies. On the record, Melody Nelson is Gainsbourg’s muse – in real life, he named his publishing company after her. Birkin – gamine, with a shock of curly hair, in a wary-eyed fashion-shoot pose – stands in for her on the stunning sleeve.

and more or less why it’s there

If you want to judge me by my musical tastes, I’ll mention that I love French pop and standards, especially the music of Serge Gainsbourg, France Gall, Jacques Brel and the Little Sparrow herself.

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