burning flipside

Flipside essays

For Burning Flipside 2015, the organization had some tickets left over after the normal ticket distribution. We decided to sell these in what I call a “bonus round,” but we decided that anyone who wanted one of these tickets needed to demonstrate some commitment. Our normal ticket-distribution process is kind of a pain in the ass. Without including some hoops to jump through, access to a ticket in the bonus round ticket would be easier than in the normal distribution, and would give the appearance of rewarding flakiness. So for the batch of tickets that I sold in the bonus round, I required that requesters “write me an essay about what you hope to get out of the experience. If you have been to Flipside, you can write about what you hope to get out of this year that you haven’t experienced before, or write about an experience you had that was particularly meaningful to you.”

Following are the essays that I have permission to share, anonymized when requested.

Flipside, how does it work?

Burning Flipside is a regional burn, an event in the spirit of Burning Man. It has been around since 1998 or 1999, depending on how you look at it. It’s grown a lot in numbers, and along with that, the organization that produces Flipside has grown in complexity and sophistication. My aim in this blog post is to describe that organization and how it works.

All volunteer

The first and most important point to make is that Flipside is an all-volunteer organization. No one gets paid to participate in Flipside. In fact, hardly anyone even gets a free ticket: every year, Flipside awards a pair of tickets to the winner of a ticket-design contest, another pair to the winner of a sticker-design contest. Those four tickets are the only free ones to Flipside. Everyone else pays full price for their tickets, including all the volunteers. Including the members of the board of directors (who serve on the board as volunteers).

Flipside does have outside vendors, of course. The companies that provide porta-potties, the heavy equipment, the ice, and so on at the event. Accountants. Lawyers. Landlords. Those people get paid. But they’re not participants at Flipside.

So Flipside is completely dependent on its participants stepping up and taking responsibility for making the event happen: Nothing “just happens” at Flipside–participants make it happen. Some of these volunteers need advanced skills and training–which in many cases they use in their everyday jobs–in order to discharge their volunteer responsibilities.

What does the organization do?

Flipside is a participatory art festival (among other things). The way we sometimes talk about is that if Flipside is a painting, the organization provides the frame and canvas, and the participants provide the paint.

So the organization provides infrastructure that makes the event possible. Participants independently make the event interesting.

What does the organization not do?

Lots of stuff.

Although Burning Man’s principle of “radical self-reliance” technically is not one of Flipside’s principles (Flipside has three principles in contrast to Burning Man’s ten) we are still big fans of that idea. Creative self-expression is one of our principles, and it ties in with the idea of self-reliance. Any time we consider adding something to Flipside, one of the questions we have to ask is whether we’re removing an incentive for someone else to be self-reliant and self-expressive in doing it on their own initiative. We also ask whether adding something will be too expensive, whether we would have enough volunteers for it, what unintended consequences it might have, and so on.

So with that explanation out of the way, Flipside as an organization doesn’t create any art projects except the Effigy. It does support and encourage other art projects, although it does not provide funds for them.

The organization doesn’t provide its participants with food or beverages or water or power. Or entertainment. Or shade structures. There are ideas offered under the “What can the community/organization do to make Flipside better?” section of this survey on Flipside 2013 that the organization will never undertake. They may be reasonable suggestions, but they would violate the spirit of self-reliance and self-expression. But the other side of that /, the community, can do (and in some cases has already done) lots of those ideas. There are other ideas that the organization might someday decide to do, but that someone else could do immediately, on their own initiative.

The organizational structure

Think of the Flipside organization as being shaped like a tree.

At the base of the tree is Austin Artistic Reconstruction, LLC (AAR). This is the board of directors. It it is the entity that has legal and financial responsibility for the event, as well as for the Warehouse. You can think of AAR as the membrane separating Flipside from default reality (whether that membrane is like a brick wall or like a soap bubble is an interesting question). Currently AAR has six members. Being a limited-liability company means that technically Flipside is not a non-profit, but it is not profit-oriented. None of the directors (Disclosure: I am one of them) make any money off of Flipside.

One branch coming up from that trunk is the Combustion Chamber (CC). This is an advisory body that discusses policy issues and community concerns. It also helps produce twice-yearly Town Halls and organizes a presence for the local Burner community on the East Austin Studio Tour.

CC meetings are usually every other Monday night at the Warehouse and are open to the public. Anyone can show up and say their piece (as long as it’s relevant to the topic under discussion). The CC currently has 14 members and periodically accepts nominations for new members. In terms of CC meetings, the only difference between CC members and the general public is that CC members can block resolutions (the CC operates on the consensus model).

Another set of branches coming up from the trunk are the Areas. And each of the areas has several Departments branching off of it. Each area is headed by an Area Facilitator; each department is headed by a Lead. In contrast to the CC, which focuses on policy, the areas and departments are operational. Some of the departments have only one person in them; some have dozens of volunteers. The number of areas has increased gradually over the years. The exact number of departments fluctuates from year to year, as some departments are inactivated and other are created or reactivated.

Sometimes its a little fuzzy as to whether a department belongs in one area or another, and there are a lot of tasks that wind up involving more than one department. It may look like a big bureaucracy, but we do a good job of making the organization serve the people rather than the other way around.

There are 9 areas:

360/24/7

This area handles year-round responsibilities–everything except Flipside.

Department leads: CC Scribes, Church Night Coordinator, Edjumication, Equipment Librarian, Off-Season Event Planning, Regional Outreach, Warehouse Manager.

Art

This area is mostly concerned with supporting art at Flipside and includes the Design and Fabrication Team (which builds the Effigy).

Department leads: Art Hype, Art Installation Logistics, Burn Night Coordinator, Burnable Art, Department of Mutant Vehicles, DaFT, Effigy Area Lighting, Graphic Arts, Procession Coordinator, Pyrotechnics, Regional Art Ambassador

City Planning

Organizes theme camps and places them–along with art and public spaces–on the map. Also, with greeters and zone greeters, helps welcome people into the city and get people to their camp sites.

Department leads: Cartography, City and Street Signage, Disinformation Kiosk, Flags/Camp Boundaries, Greeters Lead, InterZone Coordinator, Parks Department, Placement, Safety Lighting, Theme Camp Liaison

Communications

Another set of departments that are busy year-round, handling ticketing, the website, e-mail, etc.

Department leads: Content, Email Lists, Flipside Flame, Media Liaison, Sticket Design/Ordering, Survival Guide Lead, Ticket Distribution, Website Admin

Safety

The departments in this area are where some of those people with advanced skills and training that I was mentioning come into play.

Department leads: Boundaries and Safety Signage, Fire Safety Lead, Guardian (perimeter), PETs (Pyropolis Emergency Team, aka medics) Lead, Ranger Lead, Sanctuary, Sound Marshal

Site Ops

Handles most city infrastructure.

Department leads: Equipment Vendor Liaison, Power, Sanitation, Shaven Apes, Ice, Radio Communications, Pre-Ops, Transpo, Cartelle (motor pool), Fuel, Parking

Site Prep

Every year, there are several Work Weekends to get the event site ready for Flipside, clearing brush, laying roads (when needed), etc.

Department leads: Land Search, Roads, Waiver Wrangler, Work Weekend Communications, Work Weekend Tools and Supplies

Site Sign-off

We take Leave No Trace (LNT) very seriously at Flipside, and so we have a whole set of departments dedicated to it.

Department leads: Clean-up Lead, Earth Guardian Lead, Exodus, Post-Ops, Recycling Lead

Volunteer Coordinator

In addition to the above, Flipside has an additional Area Facilitator with no departments, the Volunteer Coordinator, who helps line up people who want to volunteer with departments that need volunteers.

Conclusion

That covers the structure of the organization. In the future, I may discuss individual areas in more detail. And I’d like to discuss the art projects and theme camps that make Flipside worthwhile.

Flipside 2011

Another year, another Flipside.

In September last year, I was elected to the Combustion Chamber, which is the advisory board for the limited-liability company that nominally produces Flipside. This means that every couple of weeks, I get together with other CC members and we argue over The True Meaning of Flipside. So I’ve been kept abreast of and involved in Flipside-related developments to a much greater extent, and felt more of a sense of responsibility for the event’s success, than usual. It’s a good thing that it turned out really well, at least from my perspective.

One of the most contentious issues leading up to the event was what to do with the Effigy. The effigy burn is the apex of the event. There have been two previous occasions when we could not burn the Effigy at Flipside, but this year there was a lot of debate over what to do with the Effigy in the event of a non-burn, which seemed all but guaranteed, given the wildfires all over the state. By amazing coincidence, the burn ban for Milam County (where Flipside is held) was lifted for one week, just a couple of days before Flipside started, resulting in this unlikely burn-ban map:

It was widely speculated that the Apache Pass’ landowner applied pressure to the county judge to lift the burn ban or that “somebody was paid off.” Perhaps, but I doubt it. Milam County actually had isolated flooding in the week before Flipside.

In order to get a head start setting up our theme camp’s infrastructure, Gwen and I got out to the property in the early afternoon on Wednesday, a day before the official start of the event. Two of our campmates, Matt and Lori, arrived a few hours later. When we arrived, we were surprised at how much had already been set up—a lot of theme camps seemed to be fully set up already. I got the impression that, more than any year before, there was an unspoken agreement that Flipside would hit the ground running when the gates opened for general admission on Thursday morning.

With a little help of a couple of Shaven Apes (the Flipside department of people who help with odd jobs), Gwen and I managed to get our main shade structure almost completely pitched in a few hours. Good thing, because it was freaking hot. Matt and Lori arrived in time to help with the tail end of that project, and we got the “residential” side of our camp fully set up before dark. Gwen and I wandered over to Wonderlounge (which had its bar going already) for bad drinks and good socializing. I waited until Thursday evening to get the fire circle set up, as there would be more warm bodies to help with that task.

On Friday evening, Monk (2009 DaFT lead) stopped by our camp looking for people to help finish the Effigy. David and I grabbed our work gloves and headed over. I spent the rest of the night off and on doing scut-work, like cleaning up wood scraps or holding pieces of wood in place while someone screwed them together. DaFT (the Design and Fabrication Team, which builds the Effigy) managed to open the Effigy by about 2:00 AM. I’ve always had a lot of respect for the DaFT crew, but that limited exposure gave me a much more direct appreciation for how hard they work. I don’t think I could keep up.

Saturday was my off day. I didn’t have any notable responsibilities, so I spent a lot of time in the creek and drank some beer. The one responsibility I did have was to attend a theme-camp meet-and-greet, and somehow I managed to misremember the time for that, so I missed it. I brought some homemade cookies to hand out there, and wound up handing them out to people I encountered at random instead. Someone asked “Are these plain cookies or special cookies?” I replied half in sarcasm “They’re special because I made them with love.”

Myschevia (the North Texas burn) had been held under a burn ban, so they brought their Effigy to Flipside. They took advantage of the last-minute lifting of Milam County’s burn ban to burn it at Flipside. Apparently their preparations were last-minute as well, because that thing would. not. burn. Normally an effigy is loaded with diesel to get it to burn better, and I’m guessing that didn’t happen at all. Shiree heckled the fire—”a bunch of ten year olds with sparklers can burn better than that!” I wandered over to the stage for Flipside’s own Effigy, where the Drishti Dancers were putting on a performance. Then Arc Attack fired up their singing Tesla coils and everybody was pulled away from whatever they were doing to watch. It’s almost unfair. I think Arc Attack was having some technical problems this year, as they had much less performance time. As far as I can tell, Parsec (the guy in the Faraday suit) wasn’t present at all. They had a new Faraday cage that is much larger—it can accommodate four people at once, so more people can have the experience, but the price is that none of them feel as close to the lightning (so I am told).

The fire circle at Circle of Fire got a lot of action on Saturday night, and I got in a few good light-ups. It was gratifying to see. Due to space limitations, our circle was smaller than usual. I would have preferred it to be bigger, but word reached me that some people liked it small. I think the size inhibited some people from going on when there was already somebody lit up, which slowed throughput. I guess that could be good or bad, depending on how you look at it.

When I finally got to bed (probably around 4:30 AM), I noticed that Carpe Noctem, the neighboring dance camp, was a lot quieter than I expected. I learned the next day that there had been noise complaints on Thursday and Friday, and I’m guessing the dance camps had all been told to cut their subwoofers. Friday (?) was the only night that I felt rattled in my bed by the sound, and I generally managed to sleep well.

Sunday was all about getting ready for the burn. There was a 12:00 meeting that was supposed to be followed by a 2:00 meeting where the go/no-go call would be made. Since the 12:00 meeting ran until 1:30, we postponed the 2:00 meeting until 5:30, where a go call was made. As Ghost put it, certain dominoes needed to fall in order to make a go call: first, we had to be out of the burn ban. Check. Second, the county sheriff had to give his approval beforehand. Check. Third, Kit (the landowner) needed to give his approval. Check. Fourth, the wind levels had to be within the limit set by our own fire chief, Henry. At the 5:30 meeting, the prediction was that the wind levels would be near or possibly above that limit. Henry decided that we’d be able to take advantage of a window of opportunity, and so he gave us a go. Some of us then prepped the Effigy to burn by removing a wooden skirt around its base to promote airflow, and shoving wood scraps under it.

The next thing on my docket was the fire procession. I had put out the call to have fire performers assemble at Circle of Fire at 8:00 PM. This would give me plenty of time for stragglers to arrive, and still time to go over the details with (almost) everybody before the putative performance time of 9:45. I say that I’m the cat-herder in charge of the fire procession, and that’s as apt as any title, but in fact I could not do that job effectively if it weren’t for other people who step up and help organize the procession—Wulff, Matt, David, Frank Marissa, Warlock, and of course Gwen all made things run smoother for me. In spite of some confusing instructions on my own part and things not quite going exactly as I planned, the fire procession seems to have gone smoothly and safely. It looked great, and I think we had more performers than ever. I don’t have an exact count, but I think it was around 70 people.

With that out of the way, I could relax and watch the firecracker hats, fireworks and the effigy burn. Lacking anything like a chimney, I didn’t think the Effigy would burn well. I was wrong: it was halfway engulfed before the fireworks wound down, and fully engulfed shortly after. It burned beautifully, with a sheet of flame rolling under the arch and the flame-shaped pickets rimmed with yellow fire—like fire on fire. It collapsed in on itself quickly and perfectly, and a few minutes later, the Rangers dropped the safety perimeter so we could approach. People cavorted, running and leaping toward the fire, still burning intensely hot. We made our three circuits around the fire, stopping to wish friends “happy burn” as we encountered them in the circle.

Monday morning came all too soon. I got up early to take down a personal art project, and found that Matt and Lori—who had never gone to bed—had made a lot of headway toward striking camp already. By the time I was done with my project, Matt and Lori had gone to bed and most everyone else was up. We had a relaxed breakfast and got to work striking camp. Things went pretty quickly, and we were out of there by 2:00 PM. All in all, I felt that this Flipside and the preparations for it seemed to go smoothly.

That’s all I can think of for now. I’ll update this as I think of more.

Flipside 2010

I didn’t take any photos at Flipside this year, but I’m putting together a little gallery of shots I liked.

The land

Flipside was on new land this year, a pecan orchard and pasture adjacent to Apache Pass. The site has been nicknamed Apache Passtures.

What I liked

The topography is flat and allows theme camps to be situated much more closely than in the past. Flat Creek in particular has such varied terrain that theme camps wind up in isolated pockets, and getting from one to the next takes a long time; in contrast, one could comfortably walk a loop around all the campsites at Apache Passtures.

The trees are a huge asset.

The river was another huge asset, and the fast-moving current kept the water cool, preventing the hippie-soup effect that Flat Creek is prone to. And I never trusted the water at RecPlant.

The art ridge was great, and I hope to see it fill in more in the future.

What I didn’t like

The allergens. I don’t know what was in the air, but it rendered me almost completely non-functional all day Friday.

The flies. They were never much of an issue in past years, but they were a constant presence here.

The poison ivy. I haven’t suffered any outbreaks (yet). On some level, I’m inclined to look at the PI as the environmental challenge that seems to be endemic to burner events: Burning Man has the desert and the dust; at Flat Creek, it was cliffs and cacti. All of these require you to take certain precautions to deal with your environment, and I feel that’s part of the experience. So while I don’t want to wind up dealing with urushiol (the motto at Flipside this year was “Poison Ivy is the new STD”), the threat of it and the need to prepare for it fits in with the Burner experience.

My way of dealing with it was to stay on existing paths—no bushwhacking—and to wear my boots all the time. We kept alcohol wipes on hand to wipe down our boots if we thought they had come in contact, but I never used them. Also had Zanfel, just in case.

Parking

Parking at past Flipsides has been tightly controlled, to keep the camping area free of cars (except for art cars), with each car given a parking permit good for only a few hours, and vehicles that openly flaut the rules either being towed away or turned into impromptu art cars. For whatever reason, there seemed to be no parking organization this year—nobody even discussed limited-time parking permits, nobody seemed to be guiding people to parking places (admittedly less of an issue at Apache Passtures, since the parking field was wide open), and a lot of cars conspicuously parked at theme camps all weekend. Maybe I’m just old-fashioned, but that bothered me.

Pyropolis Parks Department

Fantastic idea and execution. Designating certain spots as parks, guiding people to them, and educating us about the environmental hazards were all important services to the community.

My camp

I’ve been theme-camp lead for Circle of Fire since 2007; before that, it had been led by SCESW, and looking back, the camp started going south when I took over.

I’m not sure if there’s a cause-and-effect relationship between those two facts. Stephen has a very different personality than I do, and may well be better at motivating people than I am; he’s also closer to more people than I am. But the real reason that I think the camp started deteriorating as a camp is because the roll call of people in camp changed.

When Flipside was smaller, CoF was bigger. Firedancing seems to have been the gateway to burner culture for a lot of people, and so it’s no surprise that they would camp with other firespinners, at least at first. But as time has past, some of the people who were at the core of CoF in my first years there moved on to find other ways to express their Burner identities, or simply moved on with life.

When I took over, I extended an invitation to any fire performers who wanted to camp at CoF. While this led to my meeting some good friends and solid campmates, it also opened the door to people who were just there for a party. They weren’t there to make CoF or Flipside better, they didn’t seem to get the whole point of Flipside, and they weren’t people I wanted to camp with.

While this has been a low-level annoyance for some years, the problem came to a head this year with a contingent of 10 kids from Dallas. I’d only had brief phone and e-mail contact with one of them shortly before Flipside; he turned out to be the den mother for that group, which was mostly guys in their early 20s, not one of whom would be able to find his own ass with both hands, a map, and a flashlight. They were (mostly) firespinners, and at least some of them had been to Burning Man and/or Myschevia before, but none of them seemed to understand the basic principles of a Burner event or have any interest in contributing to the camp. I am sure they hold me in equally high regard.

Anyhow, this forced me to reflect on how I run the camp. I’m not sure what I’m going to do in 2011, but it will be different.

Apart from that, Circle of Fire was a success. Our site was out in the open—no benefit from those great pecan trees—so it was a lot hotter than other camps during the day. The bjurt we built for Flipside last year, along with the radiant-barrier sub-canopy we fabricated for Burning Man, proved their worth again. Our kitchen cleanup situation seemed to be just about ideal, thanks to David Cummings putting together of a couple of compression vessels that sprayed soapy water and rinse water; these were worked into my existing not-quite-there camp kitchen, and in the end, we only used a total of 5 gallons of water for all washing up. The camp was sited along a low rise with a gully running behind it, which made getting everything laid out a little tricky, and the fire circle needed to be a little smaller than in previous years, but it saw consistent action and the setup seemed to work as well as ever. Ultimately, the camp’s central mission is to provide firedancers with a stage and a safe fuel depot, and in that respect, I feel that the camp was not only as successful as ever, but had become the place to light up, from what I could tell.

Arc Attack

As if singing Tesla coils weren’t enough on their own, Arc Attack keeps stepping up their game. Last year, Parsec stood in the discharge field, wearing a Faraday suit. When we saw that, Gwen was transfixed, and said “I will do anything to be in that suit.” This year, she got her chance, pretty much. Arc Attack has added a small Faraday cage, just big enough for one person, that they place in the discharge field, allowing audience members the experience of being in the middle of that lightning storm. There was, unsurprisingly, a long line, but Gwen got her chance, and was more excited than a ten-year-old who was just given a pony.

The Effigy

Kudos to Kris Blahnik for designing and heading up construction of an effigy unlike any others I’ve seen, in terms of its representational design, use of color, surrounding gantries, and use of two figures instead of one. I know that he and a lot of other people busted their asses to make it happen, and it was worth it.

Interstellar Transmissions

One of the unexpected high points of the burn was waking up to Interstellar Transmissions (no website, as far as I can tell) playing on the effigy stage. Having been woken up to megaphone wars at past Flipsides, this was so chilled out and uncharacteristically pleasant that Gwen thought she was dreaming.

Burn Night

Burn night went pretty well. I know there were some technical difficulties with the methanol cannons and I get the impression there were some with the propane jets. Caleb (or someone) was tinkering with a control box in the middle of the effigy circle even while the fire procession was taking place–something I hadn’t been aware of beforehand. But the effigy was great, and it made a good fire.

The fire procession beforehand also went as smoothly as I could hope. There’s always a certain amount of chaos that attends this, but I feel that I’m getting better at accommodating that, and for the most part have the process figured out. There was only one minor safety incident, where someone set his hair on fire. I didn’t have as many spotters as I wanted this year, but for the first time, I felt confident that all the spotters I had were competent.

Flipside fragments

I’m not even going to try to give a blow-by-blow of Flipside this year. Suffice it to say that fun was had and asses were kicked. I’ll just tell some stories.

Gwen and I (and our campmate Scott) went out to Flat Creek on Wednesday evening, a day before the regular opening. We were able to get in early because Gwen had an early Zone Greeter shift the next day and because I’m a theme-camp lead. We had just enough time to unload the van and get our own tents pitched before dark. We had the small bjurt standing up half-collapsed like a geometric sculpture. Someone wandered through our camp and said “I know what that is.” We chatted about shade structures for a while.

A certain friend who had been partying a little too hard was taking a piss and passed out. He came to later and found that he had fallen into a cactus patch. Drugs may have been involved.

I was helping Greg set up his art installation, About That Time, which involved driving a lot of T-posts. Driving T-posts is a lot of work, and I try to avoid it (I say that, but my camp setup involves 24 of them). After we had gotten a few in, one of the DAFT guys working on the effigy came over and asked “Can I drive some?” He was wearing a DPW T-shirt—DPW people are notorious for being rowdy and practically masochistic in their work ethic. I was feeling like Tom Sawyer having just convinced the neighborhood kids to whitewash the fence for him. I said “Sure.” He grabs my T-post driver and starts waling on that thing in a very sexual manner. After he got a few in, he started tearing off blisters (he wouldn’t wear gloves). A couple other DAFTies came over; he said to them “Want to drive a few?” They did. After they did two or three, he took over the rest, finishing with the same hip-thrusting gusto that he started with. The next morning, I saw a pickup with a bumper sticker bearing the DPW logo and the motto “My best vacation is your worst nightmare.” I thought “that sounds about right.” Later I discovered the pickup was driven by Demon Monk, the architect of the effigy.

One of the most notable events from this (or any) Flipside was the Arc Attack performance on Saturday night. If this had been just a typical performance from them, it would be special, but this was astounding. Parsec donned a Faraday suit and stood in the discharge field, like some science-fictional Thor directing lightning bolts. Everybody’s jaw hung agape. Gwen wanted to try it herself.

We had some heavy weather during the day on Saturday. I don’t know exactly how much rain fell or how hard the winds blew—I checked weather almanacs for two nearby weather stations that completely disagreed on rainfall, wind speed, and even wind direction. We had about 20 people clustered inside the big bjurt, and apart from some water getting past the rain flaps when strong winds lifted the canopy, we were dry and comfortable within. Having put so much work into the bjurt, I was very gratified to see that it worked.

After the rains, Gwen and I went wandering around and stopped by Red Camp. I was admiring a pendant a woman had fashioned out of pop-tops when she asked “Are you looking at my necklace?” I said “no, I’m checking out your tits.” She said “Oh, thank you!” I love Flipside.

We didn’t get to burn the effigy this year. Everybody was disappointed about this, but Demon Monk had come up with a no-burn plan to allow for this contingency, and I feel like the whole “unburn” ritual was a success. We had fire performers do a long (~10 minutes) set to music that was slower and more ethereal than I would have expected. That was followed by Sparky’s firecracker hats, and then excellent fireworks by Moss and the DAFT crew tearing the effigy down, having weakened it beforehand so that they could flatten it by pulls on a few ropes. This was good, but not as cathartic as a burn, and the mood throughout Pyropolis seemed more subdued—the fact that we received a noise complaint from a neighbor, which caused Sound Town to be shut down no doubt contributed to that subdued quality.

I hope I’m not giving away any secrets by explaining how the no-burn decision came about. The Flipside organizers knew for months beforehand that, because of the historic draught conditions, we probably would not be able to burn the effigy, and a no-burn plan was part of the selection criteria in the effigy contest. At a Burn Night meeting a few weeks before, it was decided that a final go/no-go decision to burn the effigy would be made at 4:00 PM on Burn Night, as this allowed the minimum amount of time needed to rig the effigy for one contingency or the other. In the week or so leading up to Flipside, there actually was some rain, but the property owner, Child Inc, in the form of its manager Strick, informed us that he would not allow an effigy burn (or any large burnable-art burns), as brushfires had followed even those recent rainfalls. After the toad-floater we had on Saturday, the organizers did contact Strick on Sunday asking him to reconsider, and additional rain was even in the forecast for that evening. Strick was present at the final go/no-go meeting and said he’d only allow the burn if that rain actually materialized. But we were already at our cutoff time, and in fact the rain never did come. Strick was apologetic, and has been supportive of Flipside for years now, but there were obviously larger issues at stake. The previous day’s rain had already soaked in and the ground was relatively dry by Sunday.

After we got home, I remembered the line that Ginger Rogers did everything Fred Astaire did, only backwards and in high heels. It’s sort of like that with Gwen. I think I have a more visible profile in the burner community, but the fact is that Gwen works as hard as I do, and is indispensable to making all the things I try to do happen. And she does it wearing a pink wig and platforms.

I took very few pictures (and none of them were good), but other people did, so I’ll just point to them.

Bjurt construction notes

view of the mostly completed big bjurt

Having taken the bjurts out to Flipside, I have updated these notes to reflect my additional experiences

I am a theme-camp lead for Burning Flipside and one point of dissatisfaction with my camp has always been our shade structures. For the past few years, we have made do with a few cheaply made carport canopies lashed together. These drip water in between when it rains, don’t cut the heat effectively when it is very hot, and are interspersed with poles, breaking up what should be a communal gathering place into cramped zones. I had been casting about looking for something better. Domes are an obvious candidate, but they are a pain in the ass to make, and a pain in the ass to assemble on-site. After a while, I ran across bjurts, a plan for a shade structure designed by a burner to stand up to the harsh conditions at Burning Man. These seemed perfect, except for one drawback—they’re kind of small. Sizes can be varied somewhat, but the biggest calculated plan is 17′ in diameter. Not big enough to replace three 10’x20′ carports.

I corresponded with Bender (the designer of the bjurt) about ideas for making bigger bjurts, and other possible modifications, and he wound up providing me with a standard set of connectors for an 8-sided bjurt, and also a connector kit to build a giant 16-sided bjurt. This 16-sider is unknown territory for Bender and me.

We wound up dimensioning the small bjurt with a 12′ diameter, the big one 24′. This allows both of them to use some tube sizes in common, which simplified ordering and fabrication.

After much cutting, drilling, grinding, improvising, and a little bit of intemperate hammering, Gwen, some friends, and I have gotten both the big and small assembled. In case anyone else is considering doing this, I am writing up some construction notes. I have also posted some photos of the construction process to flickr.

Flipside fragment

I’m not sure I can sit down and squeeze everything I might want to say about Flipside into a single blog post—or that I even want to commit all those thoughts to print. I may wind up dribbling out a few more posts on the subject over the coming days.

In the meantime, here’s one tidbit. In a conversation with someone I met at Flipside, he asked me about firespinning—specifically, if I had noticed any physical benefits. I think my answer might make a good blog entry.

I’ve always been a klutz. I attribute this in part to being left-handed, partly to a growth spurt when I was 13 that left me a stranger in my own body. But I think that a big part of this klutziness was a form of learned helplessness: I had learned that I tend to break, or scratch, or knock over things, so I accepted that as normal, and never made an effort not to.

With firedancing, there’s an obvious need to be precise in your motions. There are also strong incentives to practice—practicing is enjoyable in its own right, and it’s easy to make rapid progress by practicing, especially as a beginner. Firedancing also forces one to be more aware of the spatial relationship between one’s body and its surroundings.

So a lesson that I learned at an intuitive level (and later at an intellectual level) was that I didn’t necessarily need to be a klutz. I was capable of using my body the way I wanted if I put a little care into it. I became more aware of how my body related to my surroundings, and more conscious of how I moved in general.

While I wouldn’t go so far as to claim that I’m graceful today, I’m more mindful and precise in my movements, and that has been a benefit.

Delayed reaction

Burning Flipside officially opens tomorrow. A few key people are out there already. I’ll be heading out with the hoi polloi. I’ve been busy getting everything ready for the theme camp I’m leading, Circle of Fire, showing up for burn-night planning meetings, making lists, lengthening them, and lengthening them again.

Gwen and I went to our first Flipside in 2003. While some people at the time said that participating in Flipside was a life-changing event for them, Gwen and I reflected that we didn’t feel that way—not because we’re jaded, but because we felt that however big a footprint Flipside left, we had done enough living that we could keep it in perspective as part of the continuum of our lives, not see it as a break in it.

I’m about to depart for my fifth Flipside (skipped 2004), and here I am. Going to Flipside meetings, obsessing over my theme camp for weeks in advance of the event. Oh, it’s changed me. It just took longer for me to realize it.

So now, if you’ll excuse me, I need to do some prep work for the bacon-avocado margaritas I’ll be serving at camp.

Burning Flipside 2007 report

I’ve been putting off writing about Flipside because it’s been hard for me to produce a coherent narrative based on my experience. This is my fourth Flipside (see my writeups on 2003, 2005, and 2006). I took a handful of photos, and while I regret not having more, I don’t regret not carrying my camera around more. I feel that the camera gets in the way of being directly engaged with one’s environment, and Flipside is all about direct engagement.

One thing that I came to realize well before this Flipside is that everyone who goes there creates their own experience. At the greeter’s station on the way in, a greeter will ask you “who is responsible for your experience at Flipside?” The correct answer is obvious, and the intent here is more limited in scope than what I’m talking about. The greeter’s point is basically that if you don’t like what’s happening to you at Flipside, you’re responsible for making your situation right, and if you get into a bad situation, you need to take responsibility for it. Which is an important point, but there’s a lot more to it than that. Some people see Flipside as nothing more a Dionysian weekend of drugs, sex, food, and debauchery. And while that Dionysian experience is a component for almost everyone there, for most folks it’s not the only one, or even the most important. For most people, it is to some extent about creating and experiencing art, and about creating a community. I have a friend who is a real party animal, but is also extremely generous with her time and energy, and I’m trying to convince her to go to Flipside, partly because I am curious which side of her it will bring out.

This year I was more involved than before in the community-creating aspect. In a sense, I’ve been having my Flipside experience for a few months. I went to Church Night, which is held twice a week and is a volunteer effort to build the effigy. I was lead for the Circle of Fire theme camp. I attended Town Hall meetings (where things get planned and discussed) and burn-night safety meetings. For the third year, I was the cat-herder in charge of the fire procession.

This level of involvement meant that Flipside was a lot more work for me than it had been in the past, but it also meant that I was coming into contact with a lot of other people who dedicate an astonishing amount of time and effort to the community-building aspects of Flipside–people who spend many, many hours before the event getting ready for their part in it, and many hours at the event in some kind of public-service capacity. These people are all volunteers–this is the Flipside experience they have chosen to have. Many of these people are also hard-rocking party monsters, and I wonder where they get the energy.

Anyhow, like I said, no coherent narrative. At least not yet.

Thursday

I was a theme-camp lead, and I wanted to get out there early. We were bringing out a lot more infrastructure than Circle of Fire ever had before, and I had borrowed Greg’s 1971 green GMC half-ton pickup (with AM radio!) to get it all out there. It barely fit, and took a hell of a lot of doing just to get it packed. I wanted to get out there right when the gates opened, but we were about two hours behind schedule. Finally, Gwen and I got in the cab (crammed in with all the stuff that wouldn’t fit in the bed, thinking only at the last minute to grab sweaters just in case it got cool) and turned the key. The starter ground away, but the engine would not catch. Tried again. Same result. Again. Same.

Turn truck off, breathe deeply. I do not want to unload this truck, rent another one, and load that. Try again. Success! Phew.

We hit the road, driving very carefully. I realized that maneuvers that would be easy in my car would tip this truck right over. Mention of that made Gwen pale, riding as she was sans seat belt in the middle. Made it out to Flat Creek in a reasonable amount of time. June, dressed as a cheerleader, flagged us down at the greeter’s station. I got out, reached into one of our ice chests, and fished out a beer for her.

On the drive out, Gwen and I had discussed what order we should attack everything in: we had the shade structures to erect, and the fire-circle backdrop to install. Both would be time-consuming. I said we should get the shade structures up first. It wasn’t clear how many people would be on hand to help when we got there (as it turned out, Travis and Spot were there before us, and they helped out), and the shade structures were our highest priority. Good thing: shortly after we got them up, it started raining. Hard. All the stuff we had just dumped off the back of the pickup we moved under the canopies. We wound up erecting our tent under the canopies, and then moving it out to our spot once the rain let up. Kevin from Kansas showed up. We got started pounding in the T-posts for the fire-circle backdrop. Amy and her entourage showed up. We got our kitchen and trash system set up. Realized we had forgotten a few things, so I called Kat (due to show up the next day) to request she bring those items. I was somewhat amazed that my phone worked at all out there (as it was, it was on roaming). The Brothers of the Flame showed up with their wives, girlfriends, etc. It rained some more, a lot more, and at one point, strong winds threatened to tear our shade structures loose from the ground. Next year: better stakes and tie-downs. The Brothers had trouble navigating their cars through camp, and then had trouble setting up their tents because of all the rain. This was the first year we really got to hang out with the Brothers, and despite the inauspicious start it was great having them at the camp. All those rainy hours sitting in a circle around the one dry spot were much finer because of their company!

Friday

Got up, made coffee for as many people in camp as wanted it. Started a fire in an elevated firepit–at some point someone asked “what’s the fire for?” and I could only answer “uh, Circle of Fire?” Actually, it was nice to have it going just because it felt homey, and it was useful as we burned a lot of waste over the course of the weekend so that we wouldn’t need to bring it home. A guy down from New York, Jeff, took shelter under our canopies and wound up hanging out for quite a while until the rain abated. Sean showed up. (Or did he arrive Thursday? He was like the wind.)

Finished getting the fire circle set up, with a lot of help. Took our first trip down from the plateau to the ring road, where we encountered Bean in her guise as Captain Cameltoe (“nine kinds of wrong” as she put it), and learned that the Subaru completely covered in astroturf was hers. I don’t remember doing anything else in particular during the day on Friday other than seeing the rest of Flipside, re-meeting old friends and making new ones. Amy worked on painting one of the panels on the fire-circle backdrop. More rain, and threatening skies all day. That night, Shiree of Spin Camp staged some fire art: she had brought out a full trailer-load of fire bricks, which she saturated in denatured alcohol doped with salts that produce colored flames. These were arranged in a low wall running about 50′, with curlicues splitting off from it, culminating in a small tower at one end. She did fire-paintings, spraying the same doped fuel on the road, and eventually started lighting the wall. It burned slowly and was quite a sight. After that was over, I headed back up to the fire circle to try to kick-start some action there, but as it turned out, most of the spinners were doing their thing at Spin Camp. I admit to feeling a little peeved that, after the amount of work I put into it, the circle was barely getting used. Reconnected with Gwen and went wandering. Hung out in the music tent at Ish–to take advantage of their comfy loungers as much as anything else, because my feet were killing me. I had gotten a pair of Bates combat boots–these were comfortable, waterproof, and supportive. Money well spent. But I was spending so much time on my feet walking around that by the end of the day, I could barely stand.

The neighboring camp, Giza, was unbelievably loud, and I had unwisely situated our tent close to it. We didn’t sleep well. Earplugs were almost useless.

Saturday

Saturday was much like Friday, except that I actually swam in the creek, which had been closed much of Friday (and part of Saturday, for that matter) due to the risk of flash flooding. The fact that we saw very little direct sunlight and that temperatures were on the cool side made the creek somewhat less inviting this year, as well. At one point we sat around discussing “what’s the most disturbing thing you’ve seen at Flipside?” My first choice was an older fellow with a multiply-pierced johnson, but on reflection, I decided it had to be the art piece “Marriage is (not) about doing the dishes,” a sculpture made of found objects arranged in a roughly anthropomorphic shape, in a wedding dress, with broken dishes and human blood on the front. A fair amount of human blood–I’d estimate about 4 ounces. I later learned a little of the back-story to this piece, which made it even more disturbing. As a friend put it, “Ellen [the artist] has some interesting issues.”

We moved our tent to place as much landscape, foliage, and stuff between it and Giza as possible.

We had a no-fire spin jam in the fire circle during the day, with experienced spinners and newcomers. That was fun.

Saturday night was the night of the glam-rock opera Arrogant Satin, being performed in the Smash Camp dome. I was reminded of this during the day when I encountered Michael 7.0 in his Burning Ridge Country Club theme-camp persona, going around and offering to buy people’s art: he was performing in the show that night, and explained that everyone involved had been rehearsing two nights a week for three months. It had an all-original score. The fact that M7 had done this while also serving as theme-camp siting lead as well as presumably holding down a day job impressed me greatly. Gwen and I showed up at the nominal starting time for the show, but the Miss Flipside Booty Pageant was still underway, so we watched that for a while. Eventually the show did start, and it was really quite good, and not just in an “A for effort” sense. Also involved were M7’s lovely wife June, Kristin, and probably some other people I should be able to name. I didn’t let myself watch much because I felt that I needed to check in at the fire circle. Good thing: power had been diverted from the PA, so I needed to run a new line to that. The fuel depot needed some attention. And just when I was finishing with that, our gracious DJ, Juan John, showed up, so I helped him get situated.

Saturday night at the fire circle turned out great. Any peevishness I had felt before was washed away: the music was good, everything was running smoothly. One problem was that the surface wasn’t as smooth as it really should be, and one woman took a misstep and tumbled on her ass. Next year: spread wood chips. Another problem was that Giza had a ridiculously loud PA, and it was difficult at times to hear our own PA (admittedly, just about the cheapest thing I could rent, with 400 W per speaker) over it. Giza was shushed repeatedly during Flipside, with sound levels metered at 112 dB or thereabouts (110 dB is described as “front row of rock concert” loud; I think the organizers wanted PAs kept to 85 dB). Next year: consider getting a bigger PA. Other than that, though, I felt like everything was paying off and I was very happy. I guess you might say this was the Flipside experience I wanted to have.

After I was done with the fire circle for the night, I put on my neon suit, and Gwen and I made the rounds. Got a good reaction.

Went to bed and slept very well.

Sunday

Sunday was the day of the effigy burn, the psychological peak of any burner event. People seem to take it a little easier during the day on Sunday because they’re holding back for the blowout that follows the burn.

On Sunday, somebody dropped by the fire circle for spinning lessons, and I was teaching him some moves when I was dragooned into taking part in the burn meeting. This was a meeting attended mostly by rangers and some of the Flipside muckety-mucks, to go over all the logistics involved in the effigy burn. On the one hand, it’s a little surprising that this stuff isn’t all worked out and written down well in advance. On the other, it’s surprising how smoothly the meeting went. Everyone seemed to know what needed to be done, and people plugged themselves into the required roles on the fly. I was there as the cat-herder in charge of the firedancers’ procession. I’ve done this before, and in some respects, I felt that I wasn’t as on top of things this year. Then again, there were more things to be on top of. We had to move the fuel depot (something new) because there was only one lane being held open, which firedancers would need to pass up and down, and this was far away from the Circle of Fire fuel depot, over very slippery, muddy ground. The fact that we were moving the fuel depot meant that I was, literally, trying to be in two places at once, because firedancers were showing up at Circle of Fire to take part, but had to move quickly to the relocated fuel depot to get ready, and people in both places had questions for me. I got a bit short-tempered with someone, which I regret. We had only seven spotters on hand–good thing nothing happened. Gwen observed how harried I must have been and took over spotter coordinating without saying anything. Other people thought the fire procession went smoothly, but I was very aware of how badly I passed along the procession guidelines to everyone, how badly I had done lining up spotters, how I had completely failed to brief the spotters, etc. I think I know how to do better next year.

The effigy burn was surprisingly low-key. The crowd did not make a lot of noise, and the effigy’s conflagration was not especially spectacular–I was surprised that the fire had burned down to almost nothing within a few hours, and was completely extinguished by the next morning. The most impressive Flipside effigy burn I’ve seen was in 2005, the rocket, which reached one crescendo of heat after another until it became almost percussive, pushing people back ten feet, then twenty.

Not long after the effigy burn came the temple burn. The temple was nowhere near as grand as one of David Best’s creations, but it was pretty, well-conceived, and solidly built. As the temple burned, Giza actually put on some music that was not only appropriate but moving. Dave down at Spin Camp lit a dozen or so of his flying lanterns, and they floated slowly northward and skyward until they were like stars. The symbolism was perfect. Everyone present was quiet. I got a little misty–it was the most memorable moment of the weekend for me.

After that came a firedancing free-for-all. The past few years this has actually surrounded the burning effigy remnant, but this year, because the path between the temporary fuel depot and effigy circle was so muddy, the depot got re-relocated to Circle of Fire, and we used the fire circle. Gwen knew that I wasn’t going to want to haul those depot barricades home, so took it upon herself to direct SCESW to toss them in the fire for me (she was right that I didn’t want to bring them home, but I planned on burning them later). Another good night of firedancing. After I exhausted myself doing that, Gwen and I took a walk around the plateau, and at Art Car Camp (which had no art cars) we encountered for the first time all weekend an eight-note flame organ, which we both took turns playing. Wonderful fun. The whole thing was very homemade, with the electronics being powered by a jury-rigged DeWalt power pack, and the pilot lights for each of the pipes shrouded in Schlitz cans.

We went to bed happy in the glow of the burn.

Monday

Mondays at Flipside are hard–psychologically, because it is hard to leave that community and re-enter consensus reality, and physically, because packing up and cleaning the camp is a lot of work. I had 24 cast-iron T-posts to pull and load up in the truck, two shade structures to break down and pack into boxes that had gotten completely sodden in the weekend’s deluges, the camp kitchen, the fire pit, the tent, the ice chests, etc. I went out to the effigy’s spot and found a metal plate that had been used on one of its arms, and packed it away. Just as crews on aircraft carriers “walk the deck” to pick up anything that might foul the landing gear of the planes, we do the same at Flipside, picking up cigarette butts, cellophane wrappers, etc. Although I had done that on the previous days, I did not do it on Monday–several other people asked “is there anything I can do to help” and I put them to work on that. I have to assume they did a good job, because I got the truck packed up by early afternoon, and Gwen and I said our goodbyes and hit the road.

Once home, Gwen and I took a few days to get back into our regular rhythms–as Gwen observed, it was a lot like jet lag.

This was the wettest Flipside yet, I am told: we had maybe four hours of direct sunlight all weekend, and several vigorous gully-washers. My former neighbor Marie referred to it as Burning Dripside. It was also probably the coolest. I would have preferred more sun, but somehow, I barely remember the rain. (Gwen here, to say that I remember the cold because it’s a lot harder to look good when you’re cold! I would’ve preferred a wool sweater and jeans for most of the weekend, and had to suffice with platforms and fishnets…we must suffer.)

Work Weekend III

A few weeks ago, the guy in charge of theme-camp siting, Michael 7.0, contacted me, and with a subtle mixture of flattery and menace, asked me to come to the next work weekend at Flat Creek—although he never said it in so many words, the underlying message was something like “It would be really helpful to have you out there to make sure your camp gets a good spot, and you’d better come if you know what’s good for you.” So how could I refuse?

I got back from the work weekend a couple hours ago, and I am wiped out. Unlike Flipside itself, which is a “leave no trace” event, this was a “leave no tree” event. Tree less than 10′ tall (and some larger that were in the way) were cut down with chainsaws or uprooted by a bobcat. We had two woodchippers going, and when they both broke down, we started loading the cut brush onto trailers and dumping it off cliffs. I dug a couple of holes trying to find a water line that wasn’t there. I tried to groom what will be the fire circle, with modest success. I dug up cactus, broke rocks, etc. So it was sort of like being on a chain gang, but without the chains and with beer. I also hashed out Circle of Fire’s exact location with M7 (as he is called). He refers to the problem of camp placement as “Tetris,” but while Tetris is a problem in two dimensions, he’s dealing with eight or more variables.

Saturday night there was a big fire fueled by some of the trees we cut down, barbecue courtesy of Rob and Niki, and a curious mix of Beatles and Nine Inch Nails blasting from somebody’s van. Sitting by the fire, we discussed how many people were at WWIII, and came up with 50 as a likely sounding number. In one sense, this is discouraging—it’s 2.5% of total Flipside participation. In another sense, it’s impressive—the first Flipside had about 25 people, so we’ve got double that now just to get ready for the event.

Despite the fact that it was a metric assload of work, I’m glad I went. Aside from the fact that I’m doing my bit to make the event overall better, I had a chance to improve the land at CoF’s site, making sure that trees that should come down did, and those that should stay up did, getting rid of cactus, smoothing out the fire circle, etc. More than that, though, it’s important for the community aspect on several levels. While I know kinda-sorta know some people in the burner community, I don’t know a lot, and this was an opportunity to meet some and get some face time—and while politics aren’t a big problem at Flipside, I did get some info on the political problems that might come up. Some of the people I met are people who I’d want to call on (or who would want to call on me) at the event, and knowing who’s doing what ahead of time is especially helpful. It also scored some cred for me, and some brownie points for CoF. I’m sorry I didn’t encourage more people to go more forcefully.

I was taken aback at the amount of work being done to the site—for example, they’re putting in a fire hydrant up on the plateau. This is a pretty big undertaking, involving a lot of machinery, labor, and materials. Stuff like that and the land clearing suggest to me long-term plans for the site and for Flipside that make me imagine the event getting much, much bigger.

Burning Flipside 2006

Chalice top

Photos from Flipside are up. I’ve got commentary in the notes on a lot of these photos. I would have taken more, but Flipside instituted very restrictive rules on photos intended for the web—and although I consider the rules unenforceable and overreaching and kind of resent them, I understand the reasoning behind them.

Many of my Flipside observations from 2005 apply to my experience this year as well. But my experience at this year’s Burning Flipside was somewhat different from last year’s. More advance prep, less on-site hassle. This year as in past years, Circle of Fire was my theme camp, and I think everyone who was part of last year’s COF wanted to make this year’s camp a better one, and so we had our shit together a little better. I took responsibility for organizing a shade structure and PA for a DJ to use (luckily, Clint, a friend of the camp, volunteered the use of his DJ rig, and sat in on Friday night to play music for us; Schon played music Saturday). I put together spin-out buckets and soaking tanks for the fuel depot, and made a dozen sets of practice poi for lessons that never quite materialized (in the end, only four pair of those practice poi got used, and somebody else brought even more)—if we’re serious about holding poi lessons, we need to schedule a time and get it on the calendar of events. And have a clock somewhere. And although COF did have functional, acceptable infrastructure for a change, our camp was still put to shame by so many others that had fantastic installations, showing a level of creativity and industry that we didn’t come close to matching. Of course, we had the firedancing, but that was our only draw. Other camps hosted firedancers plus this or that, such as Spin Camp (which always has incredible infrastructure, and had Mark’s Bible lessons and Greg’s spinning jenny) or Groovepharm (which has the best firespinners, even if they don’t come to Flipside to spin, as well as the best DJs, and a giant trampoline-lounge). What can I say? We’re a bunch of slackers.

Circle of Fire did have a much better location than it did last year, thank you site committee. I would have preferred a bigger space for our fire-circle, but since we didn’t really push the boundaries of the one we had, I can’t complain. We had a monumental fire circle that could easily accommodate six people in 2003; this year’s would would be a little cramped with four, but an improvement over 2005, when the fire circle would barely accommodate three, was on a slope, was not obvious, and also happened to be used as an alleyway to cut between parallel roads. On Thursday, I was too whipped after getting the shade structures set up to burn even once, but I had many good light-ups and even some great ones on each of the remaining nights—a few that pushed me to a different level. Firedancing can be considered a form of ecstatic motion, and in its original usage, “ecstasy” referred to a form of religious possession that is something to fear. I’m neither religious nor spiritual, but a really good light-up is one of the few occasions when I feel what I guess must be something like ecstasy in its original sense. Part of this is good, loud music, part of it is energy from the crowd, and part of it is the importance that all the participants invest in the moment. And I only have a few burns to show for it.

The new location, Flat Creek, has pros and cons compared to RecPlan. The fact that it is bigger, and therefore Pyropolis is more spread out, is both a pro and a con in itself: Flipside was definitely outgrowing RecPlan, but things are now sufficiently spread-out that it can take a lot of walking to get between two theme camps. I estimate that I walked five-plus miles a day. !Bob told me that Flat Creek has 600 acres we never even touched. I’m guessing we used 100-200 acres, so that’s a lot of potential for growth, which will bring its own set of pros and cons if it happens.

The fact that Flat Creek is laid out around a roughly horseshoe-shaped road, with “center camp” on a plateau in the middle of it and radial paths cutting across at random, means that it’s hard to get a clear sense of where camps are in relation to each other. Contrast this with RecPlan, which basically has one long road with a couple minor branches. A bicycle will be necessary equipment at future Flipsides; some kind of signage showing which camps are where would be especially helpful (an interesting wayfinding project for Gwen’s office, perhaps). One improvement in layout that we saw this year was theme camps zoned by noise level—that said, I was still camping in the loudest zone, but the fact that we were more spread out seemed to lower the intensity a bit. One curious fact about the Flat Creek site plan is that the plateau feels smaller than the field at RecPlan. A little more ground-clearing (if possible or desirable) to remove some of the trees that break up the plateau’s space would fix that. The terrain at Flat Creek is much rougher than at RecPlan, both at a large and small scale. The field at RecPlan is practically like a city park—smooth, with nice grass. The plateau at Flat Creek is much rougher, with giant divots where trees have been uprooted, prickly pear here and there, etc. And where RecPlan has a gradual hill, Flat Creek has cliffs. Flat Creek has a much more inviting cold-water stream flowing through it, the best feature of the property. It is unlike the creek at RecPlan in that it is removed from everything else—you need to go through a cave and down a bit of a hill to get there. At RecPlan, the creek is right next to the field, so you can be in the water and still semi-connected to the main action. But many people, myself included, spent a lot of time down at the stream, and with the cliff overshadowing it, it was by far the coolest place to be on days that climbed to 100°F.

The theme camps and installations blew me away, as much as ever. Somebody built a hot-tub on the bank of the stream, for cryin’ out loud. This fits right in with what I called the “extravagant gesture” a year ago. The effigy, a chalice, was built by a Houston crew (that wound up getting into a fight with the Chupacabra Policia, who were otherwise suspiciously well-behaved). The effigy was smaller than the past couple of years and relied more on propane than wood for its fuel, so there was almost nothing left the next morning (in contrast to last year, when there was still a huge pile of burning wreckage). The firedancers had a typical procession, although it was disorganized enough that many of us who were standing right there almost missed it. After the big burn, firedancers formed a couple of fire-circles next to the remnants of the effigy and burned for hours. I had some killer light-ups.

It’s hard for me to condense the Flipside experience down into a few well-organized paragraphs, and I’ve put off hitting the “publish” button on this post for a few days as I try to bring some order to it. Then again, the motto at Flipside is FUCK SHIT UP!, so trying to bring order to one’s reflections on it is perhaps missing the point.

Goin’ down to Flipside, gonna have myself a time

Gwen and I are going to Flipside in a couple of days, and we’ve been in buzz of activity getting ready. I’m really looking forward to it.

Today I went to rent a PA system from Rock-n-Roll Rentals. At least two other patrons there were (I’m pretty sure) renting equipment for Flipside. The guy who took care of my order immediately sized me up.

Is this for Flipside?
I’ve got it written all over me, huh. Are you going?
Yeah
Which camp are you with?
I’ll be at Get Lost.
Oh, do you know Ish?
Sure, I know her

It’s as if we’re there already.

Burning Flipside 2005

shirries feet

Went to Burning Flipside this past weekend. Unfortunately, Gwen wasn’t able to be with me. We found out (after we had our tickets) that a friend was having a weekend-long wedding bash at the same time, and because this was the same friend who had officiated at our weddding, we didn’t feel like we could miss that. But because The Powers That Be at Flipside had gone out of their way to make it possible for us to be there, we didn’t feel like we could say no to that. So we split the difference: one of us went to Flipside, one went to Davey’s weddingpalooza.

For those who don’t know, Flipside is a “regional burn,” a companion event to Burning Man, which started it all. Flipside is the oldest and largest of these regional burns. What these burn events are is a little harder to explain. When I don’t want to go into details, I call it a camp-out, but that’s like calling the Grand Canyon a ditch. It’s also an intentional community, an art festival, an experiment in “radical self-expression and radical self-reliance” (meaning: anything goes, and you better be able to take care of all your needs except for sanitary facilities). At the popular-perception end of the scale, it’s also an opportunity to do a lot of drugs and see a lot of boobies, but again, that’s completely missing the point.

The Intentional Community

Larry Niven wrote a science-fiction story called “The Anarchy Cloak,” which I read as a teenager. It was a gedankenexperiment about a future society with “anarchy parks” where anything goes, as long as it’s not violent–and there are little hovering robots to zap you if you get out of line. His story explores “what happens when the little robots get knocked out”–basically, warlordism in miniature. Niven’s view of human nature is cynical, albeit with ample justification.

Flipside is like an anarchy park, but without the same social-control mechanism. People are generally decent to each other because they want it to work. There are rangers to deal with problems, and problems do exist, but for the most part the rangers seem to get people to back off from confrontations and deal with people who have OD’d on some drug or another. I was discussing the whole experience with a ranger, Keeper, on the way out, and she observed that people show up not only wanting to make the event work, but to do something to make it better.

Flipside is a place where you can watch good karma in action. At Circle of Fire, the theme camp for firespinners, we had the dual problems of an inadequate sound system and inadequate power supply for it (despite Scott’s ingenious efforts), along with the fact that we were near two DJ’d camps, and would be competing with their sound output. Scott and I had strategized ways to deal with this without really coming up with a solution. At one point, I was filling the tiki torches surrounding CoF, and someone came over asking to bum some fuel for his tiki torches. I offered him all he wanted (there was still plenty left over when we were packing up to go home), and he asked if I wanted anything in return. I said no. He then told me he was from one of the adjacent camps, Winner’s Circle (whose DJ had been spinning vinyl I really enjoyed spinning fire to), so I said “you know, there is something you can do for me: point one of your speakers at the fire circle.” He was happy to do that, and our music problem was solved.

The Extravagant Gesture

Flipside, like other burner events, involves an astounding amount of work for a very large number of people who are derided as hippies and slackers in everyday life. An ordinary person showing up at Flipside would observe the amount of work going into creating a temporary community and ephemeral art, and shake his head in incredulity. Even the simple act of showing up at an event like this involves bringing a hell of a lot of shit for most folks. I showed up with my little wagon packed to the gills, and one of my campmates said, without sarcasm, “you travel light!”

The psychological cornerstone of every burner event is an effigy that is burned on the last night. At Flipside this year, the effigy was a rocket (resonating with this year’s theme: “Innergalactic Circus”). Major sub-assemblies for the rocket had been completed offsite in advance, and were assembled on the spot The result was (I am guessing) about 40 feet tall, and built like a brick shithouse. Seriously: houses that people live their whole lives in probably are not as solid. As I understand it, Dave Umlaus was in charge of the rocket’s construction. I doubt he slept for a week, and construction was still underway just a couple of hours before the burn.

What’s the point of building something, only to burn it down as soon as you finish? There are a lot of ways to answer that. To acknowledge the temporary nature of all things. To put on an exciting show. To create a ritual in which people can cast off the past and purify themselves. To have fun burning shit. Ephemeral art is common in Japan (cf: ikebana) and in other cultures. Perhaps this kind of thing wouldn’t seem so strange (at least for that reason) elsewhere.

Part of the reason behind this is the “wanting to make it better.” I think there’s also an element of auto-one-upsmanship, that is, people think “well, we did this pretty well last year, but we can do better this year.”

This is the most obvious example of the extravagant gesture, but only one of many. I was talking with my friend !Bob about the LED ring, which describes a very large circle around the effigy (this area is referred to as the L2C). Bob had written the code (in Assembly, no less) to control the lighting patterns of the ring, and explained to me just how homemade the damn thing is. I had seen it before, but never knew that it started life as epoxy mix, lumber, bare LEDs, custom-printed circuit boards, and some cheap off-the-rack chips. !Bob had dedicated a ridiculous amout of time to writing patterns for the ring, only to have his efforts stymied by various hardware malfunctions–overextending the limits of the serial communications protocol between the panels, two power supplies that failed because of the rain, poorly soldered joints on the boards, etc.

At many theme camps, people had schlepped out domes or other massive shade structures, DJ rigs and speaker setups, enough rugs to carpet the entire interior, etc. Perhaps the most extreme example was Chupacabra Policia, which set up a three-story scaffolding stockade, surrounded by a locked barbed-wire gate, blaring Extremely Strange Music, fake news reports, and intimidating directives over their PA at all times. Its members adopted names like Bootcutter, and wore uniforms with custom badges and emblems. They even had their own squad car. As Bootcutter put it, it’s not easy being that obnoxious, and that makes it a higher form of art. Just to piss off any feelgood PETAphile hippies, they made themselves notorious for slaughtering and cooking chickens at their camp.

Food

Andy, a firespinner from Germany, seemed to be marking his Flipside experience by the meals he ate. At every theme camp, someone was pushing some kind of meal on him. We had been chatting for a couple of minutes when he excused himself because a camp up the hill was about to be serving chili.

A lot of people (me included) pack way too much food so that they’ll have something to offer to others. At Spin Camp (where I sited my tent), we had a de-facto cook, Crispy. She had brought along hard-boiled eggs from her own chickens. She made cowboy coffee over a campfire every morning. On Friday morning, she made bacon/skirt-steak skewers for breakfast. On Sunday, she filled two massive cast-iron kettles with breakfast-taco fixing (again, using eggs from her chickens) and cooked them over the campfire. At other camps I saw Greek food, fajitas, burgers, chili, etc. One camp (Better Brains Bureau) made a name for itself by handing out chocolate cake and bacon for breakfast. Right after I heard about this, I ran into Striggy on the trail down to the field, and mentioned this to her. She enthused that that was exactly what she wanted.

The counterpart to all this food, of course, is booze. I packed a case-worth of good beer, which I barely made a dent in (beer is not as effective for hydration as water, and hydration is important). Also fixings for damn good margaritas, which, again, mostly went unused despite my persistence in offering them around. There were several theme camps that ran open bars as their centerpieces.

Music

There’s a lot of it, and it’s loud. If you read the theme camp descriptions, you’ll find a lot with vague, trippy descriptions that don’t tell you what will be going on at that camp. These can mostly be translated as “we will have DJs and lasers.” Different camps had different musical styles, of course, and there’s enough variety that anyone can find something that they’ll like. There was at least one camp spinning 130-bpm trance music more or less non-stop, and it all sounded the same. Wonderlounge, next to Spin Camp, had an interesting musical selection that I mostly enjoyed, but kept some of my camp-mates awake later than they wanted. Some of my camp-mates were using both earplugs and earmuff-style protectors to block out the sound.

The real problem with all this highly amplified music is that when you’re down on the main field (which some people wistfully refer to as “the playa”) and between music-oriented camps, you can hear at least two–and probably three–different tracks at any given time. This was a problem at CoF, because we were pretty much relying on the sound from a nearby camp for our music, and when you’re twirling fire, it really helps to have a beat (just one) that you can groove on.

Events

There are a lot of different events during the long weekend, which are all more or less open for anyone to participate in (that’s the whole idea). Both CoF and Spin Camp were holding poi lessons, in addition to hosting fire circles. Spreader Bar & Grill was tying Japanese-style bondage knots on anyone who asked, and you could see a lot of people wandering around with elaborate trusses around their torsos. There was a “Cthulhu Devival Hour.” A “Miss Flipside” competition, which was most entertaining–the first round of judging was an obstacle course in which contestants had to light someone’s cigarette in a creative fashion, hammer rebar with a sledgehammer, and wipe something–anything (and they did) with a wet-wipe–all while carrying a tray full of drinks. The second round consisted of the talent and interview portion. I have no idea who won, but my favorite contestant was Miss Firepants, who had enough attitude to power a small village.

There was a wedding held there. I didn’t know any of the parties involved, but a fire-friend did, and he asked me to be one of several people spinning fire as part of the ceremony. I was happy to oblige. As I heard it, civilians were also being trucked in to take part in the service, and I can only wonder what they thought of the freak procession (which was over a hundred people).

Rain

It has rained at every Flipside, as far as I know. This year it rained a lot–some folks were calling the event Burning Mudslide.

We had a relatively brief but heavy storm on Friday night. This fried two power supplies used in the LED ring, and made a hash of many campsites.

Saturday night, we had a rainstorm strike earlier. It was obvious that storm clouds were rolling in, so we had time to batten down the hatches, and I made it into my tent about a minute before the first drops hit. Some folks stayed out and made merry anyhow, but it was a massive storm that dumped sheets of water on us for hours. I am pleased to report that my tent basically stayed dry (upon striking it, I discovered that there was a small divot under my tent, and a pool of water had collected between the groundcloth and tent floor, soaking through the floor, but my air mattress was between me and the water). I took a nap. When I woke and found the rain had stopped (around 4:00 AM, I guess), I pulled on my shoes and walked down to the field. Except for one camp, it was dark and quiet. That was worth experiencing.

Fire

The big draw for me is the firedancing. Although my tent was at Spin Camp, I put in more work at Circle of Fire (both of which are oriented towards firespinning).

Because of the nature of burner events (hell, even the name), firedancers seem to have enjoyed a little bit of priviliged status at these events. But firedancing has become common enough within the freak community that the priviliged status seems to have worn off–it doesn’t draw as much of an audience, or as many would-be spinners eager to learn, and a lot of firespinners have decided that they have better things to do at flipside than burn.

If this sounds like I’m bitter, I’m not. There were a number of fire performers at Flipside who I knew by reputation, or who I saw goofing around during the daytime, and I would have enjoyed watching them more and doing fire-stuff with them more than I did–but it was a pleasure to watch them and play around with them as much as I did. If you’re out there–Skunk, Nico, Rachel, and Dan–I had a ball. Andy, the firespinner from Germany, never lit up that I saw, but he always had his poi in his hands, and would distractedly toss off crazy moves while chatting with you. I also noticed that he seemed to have his keys clipped to his wicks, for some reason.

Stress

Some time before Flipside, Tym asked me to coordinate the fire performance before the big burn of the effigy on Sunday, and I accepted. This turned out to be the overriding aspect of my Flipside experience.

I developed a general plan for how to organize the fire performance. Nothing very complicated–I knew that any plan would need to allow for a lot of flexibility. And I wanted to strike a balance between two conflicting schools of thought on how the performance should be organized: those who thought that it should emphasize talent and showmanship, and those who thought it should maximize participation and inclusion. In case this is of any value to anyone in the future, my original plan was this:

  • Divide the circle into eight wedges.
  • Have performers segregate themselves by ability. Beginners would serve the same role as backup singers, and would station themselves along the back edges of each wedge, laying down a simple pattern with transitions every four measures. More proficient performers would be front and center, going crazy.
  • With 15 minutes of performance time, we could divide the performers into two or three shifts, so that as one performer went out, another would file in.
  • No fire-breathing. I was concerned that the circle would be too crowded and dynamic, and that the crowd would be too close to have safe fire-breathing. This probably pissed off a couple of people.

I had put out a request on a couple of Internet forums asking people who wanted to take part to contact me in advance. A few people did, but there were clearly far fewer respondents than there would be participants.

So at Flipside, I started tracking people down who I knew personally, knew by reputation, by referral, or who I just saw playing with firedancing equpment. I explained to everyone where and when to assemble, what to do, and what my plan was. And it was interesting that I got pushback from a few people who said the plan was elitist or hierarchical, but I knew that any plan would be unsatisfactory to some people, so I shrugged it off. I asked everyone to pass word on to other fire performers they knew. I found the “drum gods” camp and asked them to send a contingent of eight drummers to lay down a steady beat–my original idea was one drummer per slice. They explained they all had to be in one spot to stay on the same beat, but that the sound would carry across the ring. They were especially concerned about hot fuel being cast off by a wick, hitting a drum head, and destroying it.

On Sunday morning, someone asked me how many people I expected would be taking part. I answered “between 10 and 100.” In fact, I thought the number would be about 60.

At about 6:00 on Sunday, I just happened to be present at a war council in the circle around the rocket (having just marked wedges with orange spray paint), discussing the latest weather forecast: there was a thunderstorm watch, flood watch, tornado watch, and chance of hail for the entire county. Oh, shit. Everyone stands around with very serious faces, wondering “now what?” Dave Umlaus, who looked like he had been run through a cheese grater and hastily reassembled into his original form, absorbed the news with a dead expression. The original plan was for rocket ignition at about 10:00 PM, and it was decided that we would try to stick to that plan, but might move the launch up by one hour, to avoid the worst of the weather–apparently, high winds were the main concern, as they could carry embers into the trees.

This meant that I had to track down everyone I had previously told to assemble at 9:15, and update them that they should be there at 8:15. Maybe. Tym apologized to me unnecessarily, and I said “if I wanted to take it easy, I would have stayed home.” I started making a couple passes throughout RecPlan, and seemed to manage to find almost everyone who needed to be found. I also found a few people who had never gotten the invitation in the first place, so I was able to get them on-board. I stopped by the drum gods again–they had heard something was up, but wanted to get my story. After the previous night’s rainstorm, they decided to place their biggest drums on one of the “gator” utility carts that constantly crisscross the site, so they could drive it under the nearby roofed pavillion at the first sign of rain.

This was stressful.

I changed into my eveningwear, and someone from my camp (also named Adam) blasted some glitter onto my brightly sunburned torso. I grabbed a granola bar for dinner, and carried extra fuel down to Circle of Fire, the place where everyone was going to congregate. I arranged the fuel depot to make it clearer what was going on.

At this point, the decision on when to launch the rocket was still up in the air, and in fact was not going to be decided until the last minute. That decision was up to the fire marshal.

Tym was leading a parade throughout the site, gathering up people from every camp as he went. His original plan (also a shambles now) was that the parade would arrive on the field just in time for the firedancers to start their show, then we’d do our thing, and then the rocket would be lit. Instead, he had to arrive on the field early and lead the parade through multiple laps around it. On one lap he gave me his bullhorn so that I could rally my troops. It turned out that there were a little over 30, with about a dozen safety people. I had them count off by eights to determine their position on the circle, had them start soaking and spinning out their wicks. At this point, I had too few firespinners to justify taking shifts, but 15 minutes of time to fill, so I told everyone to resoak and come back out immediately.

On another lap around, Tym came over and said “as of now, all your people need to be ready to go on at a moment’s notice” and I relayed this. Sure enough, a few minutes later, Tym came by again and said “get them out there now and light them up.” So they did. I patrolled the perimeter while they burned. One of the safety people took me aside and explained that someone in her wedge (whom I had not met) was insisting on fire-breathing–the safety had explained my position, but he was adamant. As it turned out, this wasn’t a big deal, since there was a pretty wide band between the fire performers and everyone else, being patrolled by rangers, and the circle itself wasn’t that crowded.

After about five minutes of burn time, someone came to me and told me “we have to clear the circle now.” So much for the re-soak and re-light plan. I ran over to the fuel depot and told everyone to stop re-dipping, though a few people got past. I went back out to the circle and hollered at everyone to clear the circle. A couple of showboats delayed leaving for a couple minutes, but apparently that wasn’t a deal-breaker.

Once the field was cleared, we waited. There were drummers everywhere, people hooting and hollering. The predicted storm was gathering–massive thunderheads, with frequent lightning. It made a perfect backdrop, and I half-expected a lightningbolt to strike the rocket. After some period of time, thrusters at the bottom of the rocket fired and everyone went nuts. Although there was a spinning fire-fountain on the top of the rocket, and it had been test-fired the previous night, it did not fire at this time. I suspect there were a hundred things that went wrong (the LED ring was completely shut off), but there was so much going on that you’d never miss it if you hadn’t known it was there. It took a while for the rocket to really start burning in earnest, but once it did there was a massive wave of heat that pushed everyone back about ten paces. It took a long time to burn and collapse (there was a lot of wood in there, and it was solidly built). It was sending embers perhaps 100 feet into the air, with the smoke creating a weak vortex. Firefighters were spraying their hoses to wet down the field downwind. As soon as the edifice had collapsed and the heat died down a bit, a lot of people moved inside the LED ring, and started walking in a circle around it. I was relieved and happy things had gone off as well as they did, and I hugged, congratulated, and thanked people as I went by or they did. As the fire died down a little more, people moved in to get as close as they could tolerate. Firespinners stepped into the band between the embers and the rest of the crowd (that is to say, the zone where the heat was intolerable). I grabbed my chains and joined them. After four light-ups in the hot zone, my sunburn was twice as bad–practically purple.

The storm mostly passed us by–we got a light sprinkling, but that was it. I wound up turning in relatively early. It was difficult to find a comfortable position to lie in with my sunburn, but I managed to get a pretty good night’s sleep.

The next morning, I hastily struck my own campsite (which was still kind of wet and muddy) and got it ready to load. I grabbed some garbage bags and went down to CoF to pick up the cigarette butts, tinsel, bottlecaps, etc. Finished up with that and went back up. Went to get my car, and found it blocked in by a gator–apparently someone at the adjacent camp had OD’d, and there were rangers and medics dealing with the situation. A few minutes later, though, I was able to get my car out. I loaded it up quickly and said goodbye to my camp-mates. On my way out, I saw Jori, a camp-mate and ranger, and said goodbye to her. Another ranger came over and asked “can you give someone a ride to the airport?” I said sure, and they loaded up Keeper and her one duffel bag (talk about travelling light!). The ranger gave me a piece of “flipside currency”–I have no idea what I would do with it, and I’m not inclined to part with it anyhow.

flipside coin

More

I’ll write more as I think of it.

Burning Flipside 2003

I’m back and halfway recovered from Burning Flipside, one of the “regional burns” associated with Burning Man. As I understand it, Flipside is the oldest (since 1998) and largest (900 tickets sold–quickly–in 2003) of the regional burns.

I had been delinquent about getting tickets when they went on sale, and missed out. Fortunately, a secondary market sprung up, as many people bought tickets for friends who later cancelled (this resulted in a frantic last-minute round-robin exchange of e-mail messages as ticket holders tried to hook up with ticket seekers). It was pretty late in the game that we got our tickets, and so we hadn’t done a lot of advance preparation. We did get supplies to make a shade structure out of PVC and old sheets, along with all the usual camping crap one would need, food (lots of food), beer, wine, fuel, etc. We both scrounged up weird odds and ends around our households to use as barter goods. Apart from a daily ice delivery, commerce is not allowed at Flipside. Technically, barter isn’t either–everything is on the gift economy–but as a practical matter, it would be a bad idea to show up without anything to trade.

We headed out Friday around noon, and got to the site quickly. Admission is a tedious process.

We first signed a multipage waiver absolving the site owner of any liability. Flipside takes place on a private campground called Recreation Plantation. RecPlan is a 40-acre site with limited modcons (a few flush toilets, a few showers), a few RV hookups, a pool, and a creek. Most of the property is rocky and covered with scrubby trees (which someone aptly referred to as “upstairs”); there’s a fairly short and sharp decline from this that leads onto a smooth, open, grassy field of about 10 acres. The field adjoins the creek, which has some trees along it. In past years, all the action at Flipside was on the field. That’s still where the biggest theme camps are, but as the event has grown, more camps are found upstairs.

After that, we drove a little ways in and arrived at the main check-in, where we were subjected to a somewhat condescending interview process. I suppose this is necessary to keep out troublemakers and people who don’t get it (or at least get some idea of how many of those people are arriving).

Finally we made it to the “greeter’s station,” where we were given a temporary permit to drive onto the field and unpack the car. The car was very full–I had packed an enormous beanbag chair that we wound up not using, and the materials for the shade structure, which also turned out to be unnecessary (there was no room for it). We were camping at the Circle of Fire with my fire-freak friends. We deployed our stuff fairly quickly, said Hi to quite a lot of friends, and went back roughly to where we came in, quite some distance away, to park. We walked back down and said Hi to more people, and took it all in.

After that, impressions of time become very fuzzy. Not many people wore watches. Some activities were supposed to happen at specific times, so knowing when to be where was somewhat problematic. But it’s probably just as well–otherwise I’d know exactly how much sleep I wasn’t getting.

The COF camp was on the field, which was extremely hot and bright (except when it was raining), and although we had an enormous dome that should have been a fine shade structure, it was in fact intolerably hot and close in there, so we spent most of the time under two much smaller canopies in back. Or at other camps: Jenny, for instance, was camped at the Toadstool Kingdom of Slack, which was positioned right on the slope between the upstairs and the field. This spot was about 15° cooler than any other place in the camp, so we spent plenty of time hanging out there.

Our camp was near another theme camp, the name of which I never learned, but which I came to call the “obnoxious techno music at 7:00 AM camp” for reasons that should be self-explanatory. This camp had a giant parachute-covered dome that played music all the time, but played it especially loud at hours that everybody else wanted to be asleep. At one point, Flipside’s most obnoxious participant, Xeno, of Flipside’s most obnoxious camp, Chupacabra Policia, came over with a bullhorn to chastise them “no one is listening to your music.”

Art

The toadstool was an ambitious project that the builders had great trouble erecting. They had tried using a fairly elaborate gantry with block & tackle, which didn’t work at all. They eventually put a fulcrum above it and pulled it up with a Jeep. This was just one of many really amazing projects that got hauled out there. The Gateway fire-sculpture thing is like a giant double-barreled sheetmetal chimenea on rockers. The art-car that shoots flames out of four jets. The flame-shooting totem pole (you may sense a theme here). And the Man itself, which bore little resemblance to the original (or any man), but was basically a wooden derrick with arms sticking out.

Theme camps

Likewise, many of the camps were pretty amazing undertakings. One camp had a trampoline and moonwalk (which we enjoyed immensely). John Cougar Melon-camp, apart from creating an excellent visual pun, hosted a Bill Hicks revival hour at which spicy Bloody Marys flowed freely. Spin Camp had a QTVR rig that I never got around to posing for. The Groovepharm camp had the usual Groovepharm visual/auditory feast. Camp Baksheesh had some kind of puppet karaoke that I somehow never saw. And so on. Every night we would wander from camp to camp, taking in the experiences like we were going through a Whitman’s Sampler.

The bigger and crazier theme camps were all on the field. Next year, I think I’m camping upstairs, where it’ll be cooler and quieter.

People

Of course, the main attraction is the people. I had a lot of friends there scattered among seven or so camps. I met a fair number of new people. I’m sure that the environment helps, but pretty much everyone I met was a pleasure to be around.

At one point, a friend on X came by to give me the earnest “I love you, man” speech that is characteristic of that drug. I realized that Donald Rumsfeld desperately needs to take X. Apart from booze, I took no drugs the whole weekend, and in a way, drugs are redundant: the experience is already an exercise in sensory overload. There were a few people who were so far gone on drugs (or simply so far removed from reality even without them) that they couldn’t take care of themselves, but this was less of a problem than I expected (fortunately, there are Flipside Rangers to take care of them). And even going on indirect evidence, there was a bare minimum of assholes. People seemed to be there in a spirit of conviviality and community.

Costumes were probably more common than street clothes (I was an exception–even among freaks, I’m a freak)–of course, the line between the two can be a blurry one, especially in this crowd. Nudity was common, and I observed that nipple piercings are way more common than I ever imagined. Tattoos were conspicuous only by their absence.

The Big Burn

The high point of the whole event is the big burn, when the Man is burned. A lot of preparation goes into this, despite which there is still a lot of last-minute headless-chicken imitation. The burn ceremony (perhaps “rite” would be a better word) began with a procession of firedancers and stiltwalkers, who walked from the Circle of Fire to the main circle. They were organized by color (this year’s Flipside theme was “dreams of chromatic distraction” [don’t ask]), with about six firedancers, one torchbearer, and one stiltwalker in each of six color groups. Once around the Man, they all did their thing, and the last man burning, Bob, then lit the Man. Everybody was crowded around the perimeter (delineated by a huge circle of nifty LED pods that fired off different colors in different sequences), screaming and excited. After the Man burned for about 20 minutes, it collapsed in on itself and everybody rushed to get as close to the fire as they could, jumping and dancing around.

I observed this from a distance. I was one of the safety people for the big burn, and one of the few experienced firedancers to be working safety. I was one of the people in headless-chicken mode beforehand, trying to round up enough towels, buckets, extinguishers, and other safety people. As the burn drew near, Tiglet and I drilled unexperienced safety people on what to do (fortunately, there was only one minor incident during the burn). After the performers had cleared the field and the Man started burning, Stephen realized that our fuel depot was directly downwind of the Man, which was casting a lot of embers in its direction. He rounded up safeties to help make sure none of the embers landed there to start a fire, so I moved buckets and towels back there and tried to help. As I looked on the people around the fire, I was struck by the energy and intensely primal and pagan spirit pervading them.

I made up for not being part of the procession by having seven or eight really good burns later that night. Kudos to Juan of Camp Baksheesh for being an excellent DJ for COF.

A pretty serious rainstorm whipped through in the wee hours Monday, but most of our stuff came through OK (lucky thing we already had the rainfly on the tent). We got up at a reasonable hour that morning, cleaned up around the camp, packed up the car, and were on our way by 11:00 AM. On the country road leading out of RecPlan, we passed by a Hummer, paradigmatic symbol of American crapulence, and re-entered everyday reality.

I’m missing a million things. You had to be there. I took a few pictures (login as adamguest/adamguest — if there’s a picture of you that you want removed, please let me know), but these were all taken during the day, and much like bars, Flipside isn’t seen in its best light in the light. Scott took some too (same login). Bob got a bunch more. Kristin is maintaining a master list of Flipside 2003 photo albums.

There are any number of ways to define burn events: as temporary autonomous zones, as art festivals, as experiments in radical self-expression/self-reliance, etc. To me, they are about suspending the constraints of everyday life, creating a situation where people can either be more fully themselves or experiment with being other people, having extraordinary experiences, and living fully and in the moment.